EXTREME PENTATONICS RUSTY COOLEY PDF

La razon es que las pentatonicas, aunque utiles, dejan mucho vacio en cuanto a contenido armonico, y aunque precisamente es una de las virtudes que tienen en cuanto a facilidad de uso la misma pentatonica te sirve para varias tonalidades estudiar musica mediante pentatonicas no creo que de una vision completa y adecuada del sistema musical. En mi humilde opinion, para estudiar y visualizar bien el mastil hay que estudiar las escalas y sus arpegios, y a partir de ahi pentatonicas. Esto es asi porque, una vez mecanizadas y razonadas las escalas mayores, menores y simetricas; el uso de las pentatonicas se convierte en una cuestion trivial y mas de gusto que de formulas a partir de las escalas podemos crear cuantas pentatonicas queramos, no necesariamente la mayor Resumiendo para no enrrollarme mas, para el estudio del mastil al completo yo personalmente escogeria otros libros, pero para trabajar la tecnica seguro que viene al pelo. Que lo disfrutes, y ya nos contaras como va! Eso si, para licks y tecnica a velocidad extrema va cojonudo.

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Early life[ edit ] Cooley received his first equipment a Peavey T27 guitar and a Peavey Decade amp on his fifteenth birthday. From that day on he immersed himself in music, practicing upwards of four hours a day.

He took guitar lessons for a while but became dissatisfied with local guitar instructors and decided to become self-taught. After high school Cooley went to the local college and studied music theory. Solo work[ edit ] Cooley was unsatisfied with local musicians and began to work on solo music in early He began playing seven-string guitars exclusively at this time.

His debut solo album was the self-titled Rusty Cooley, released in by Lion Music. It consists of 12 tracks, one of which, "Under the Influence", was released as a video as well.

Music was by Cooley, Marches, and Kelly Carpenter; Carpenter also wrote the lyrics for, and handled the vocals on, the vocal versions of "Dominion" and "The Machine".

Programming was done by Cooley and Williamson, while guitar engineering was done by Sands. Cooley also was in charge of production.

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Early life[ edit ] Cooley received his first equipment a Peavey T27 guitar and a Peavey Decade amp on his fifteenth birthday. From that day on he immersed himself in music, practicing upwards of four hours a day. He took guitar lessons for a while but became dissatisfied with local guitar instructors and decided to become self-taught. After high school Cooley went to the local college and studied music theory.

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